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Guqin |
The guqin, or qin, is an unfretted zither with 7
strings
and has an unbroken history of over 2000 years. Its physical structure
was already standardised by the late Han (25-220 AD), several centuries
before the pipa was introduced to China. Historically, it has
enjoyed
the privilege of being the favourite art of the literati and the
imperial
aristocrats, along with Chinese chess, calligraphy and ink-painting.
Such
historically famous figures as Confucius of the Warring States period
(475-221
BC), Ji Kang (223-265 AD) of the "Seven Sages of the Bamboo Grove", the
Tang poet Bai Juyi (772-846 AD) and the Song emperor Zhao Kuangyi
(976-997
AD) were all lovers and practitioners of the qin. Since the
Tang
(618-907 AD), collections of various qin have become popular
among
the privileged classes, and some valuable surviving qin from
that
time can still be played today.
Even more remarkable than the survival of instruments from this
period
is the unique notation, which is perhaps the world's oldest written
solo
instrumental music. The earliest surviving manuscript is the "Elegant
Orchid
in the Mode of Jieshi" dated 589 AD, the tablature going back to at
least
the 12th century. Despite the fact that the qin has the largest
collection of surviving notation (over 3000 pieces) of all China's
instruments,
very few have been brought back to life. Furthermore, the hundreds of
written
works on qin theory, aesthetics, musical temperament and
philosophy
are highly complicated and abstruse. Though qin music has been
regarded
as the most sublime of China's ancient music, it is in grave decline in
modern China, due largely to its traditionally esoteric place in
Chinese
culture and lack of support from the government. The beauty, depth and
delicacy of qin music are impossible to express in words.
| Right: Playing the guqin with guqin master Li Xiangting at SOAS. | ![]() |
Copyright Cheng Yu, J. Joseph, June 1998, May 2001.
All
rights reserved.